The harp takes centre stage in this free early-evening performance by members of the Philharmonia Orchestra.
Zsolt-Tihamér Visontay – violin
Rebecca Chan – violin
Scott Dickinson – viola
Karen Stephenson – cello
Sam Coles – flute
Maura Marinucci – clarinet
Heidi Krutzen – harp
Mozetich Angels in Flight
Ravel Introduction and Allegro
The harp takes centre stage in this free early-evening performance by members of the Philharmonia Orchestra.
In the early years of the 20th century, the Paris instrument-makers Pleyel had commissioned Debussy to write a piece to show off the capabilities of a new model of harp. Their rival company, Erard, fought back by commissioning from Ravel this mini-concerto for harp, strings and woodwind, that would make the most of the technical and expressive potential of their instruments. The result is certainly some of the most attractive advertising music ever written.
Marjan Mozetich is Canada’s most-broadcast living composer. His lush, post-Romantic music is renowned for its accessibility and emotional expression. In 1987 he was commissioned to compose a companion piece for the same group of instruments as Ravel’s. The delicate, ethereal soundworld of Angels in Flight is inspired by a Renaissance painting of the Annunciation.
The Philharmonia Orchestra’s Principal Harp, Heidi Krutzen, has chosen these two beguiling pieces to perform with six longstanding friends and colleagues.
Southbank Centre, Belvedere Road, London SE1 8XX
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